This 11-minute video lesson is the first in Kahn's Financial Bailout series. …
This 11-minute video lesson is the first in Kahn's Financial Bailout series. It provides a review of balance sheets and explains the difference between illiquidity and insolvency. [Financial Bailout playlist: Lesson 1 of 15]
This 11-minute video lesson looks at a hypothetical bank balance sheet and …
This 11-minute video lesson looks at a hypothetical bank balance sheet and explains what book value means. [Financial Bailout playlist: Lesson 2 of 15]
This 11-minute video lesson explains what it means when the market value …
This 11-minute video lesson explains what it means when the market value of a stock is different from its book value. [Financial Bailout playlist: Lesson 3 of 15]
This 11-minute video lesson explains the different ways of accounting for an …
This 11-minute video lesson explains the different ways of accounting for an asset. It considers the mark-to-model vs. mark-to-market. [Financial Bailout playlist: Lesson 4 of 15]
This 12-minute video lesson looks at how the bank gets bailed out …
This 12-minute video lesson looks at how the bank gets bailed out by an equity infusion from a sovereign wealth fund. [Financial Bailout playlist: Lesson 6 of 15]
This 10-mintue video lesson looks at what happens when there is no …
This 10-mintue video lesson looks at what happens when there is no equity infusion and the bank goes in to bankruptcy. [Financial Bailout playlist: Lesson 7 of 15]
In this 11-minute video lesson Kahn considers what Paulson wants to do …
In this 11-minute video lesson Kahn considers what Paulson wants to do and explains why he does not like it. [Financial Bailout playlist: Lesson 9 of 15]
This art history video discussion examines this work by a follower of …
This art history video discussion examines this work by a follower of Bernardo Daddi "The Aldobrandini Triptych", tempera on panel, ca. 1336 (Portland Art Museum).
This art history video discussion examines Fra Angelico's "The Annunciation and Life …
This art history video discussion examines Fra Angelico's "The Annunciation and Life of the Virgin" (in the predella), c. 1426, tempera on wood, 194 x 194 cm (Museo del Prado, Madrid).
This art history video discussion examines Fra Filippo Lippi's "Madonna and Child …
This art history video discussion examines Fra Filippo Lippi's "Madonna and Child with two Angels", c. 1460-1465, tempera on panel, 95 x 63.5 cm (Galleria degli Uffizi, Florence).
This art history video discussion examines Fra Filippo Lippi's "Madonna and Child", …
This art history video discussion examines Fra Filippo Lippi's "Madonna and Child", c. 1440, tempera on panel, 79 x 51.1 cm / 31-1/8 x 20-1/8 inches (National Gallery of Art, Washington).
This art history video discussion examines Jean-Honore Fragonard's "The Progress of Love: …
This art history video discussion examines Jean-Honore Fragonard's "The Progress of Love: The Meeting", 1771-1773, oil on canvas, 317.5 x 243.8 cm (The Frick Collection, New York).
This art history video discussion examines the Painting Techniques of Franz Kline: …
This art history video discussion examines the Painting Techniques of Franz Kline: The Chief Abstract Expressionist New York The Museum of Modern Art, October 3, 2--April 11, 2011.
This art history video discussion examines Frida Kahlo's "Frieda and Diego Rivera"‰غ_ …
This art history video discussion examines Frida Kahlo's "Frieda and Diego Rivera"‰غ_ 1931, oil on canvas, 39-3/8 x 31 inches or 100.01 x 78.74 cm (San Francisco Museum of Modern Art). Painted in San Francisco during the artist's first trip outside of Mexico. She accompanied her husband Diego Rivera who was painting in the United States and would, at the end of the year, be the subject of a retrospecive at The Museum of Modern Art in New York.
This art history video discussion examines Caspar David Friedrich's "Abbey among Oak …
This art history video discussion examines Caspar David Friedrich's "Abbey among Oak Trees", 1809 or 1810, oil on canvas, 110.4 x 171 cm (Alte Nationalgalerie, Berlin).
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