This unit covers Music strand outcomes CP6.7, 6.8, 6.9, CR6.1, 6.2, 6.3 and CH6.1. The following unit plan was created by Linda Haas (Davidson) and Jade Ballek (Learning Coach) in the 2011-2012 school year. It reflects Saskatchewan's updated curriculum and incorporates authentic learning experiences and technology integration. Assessments are provided for each lesson as well as the unit.

This is a Project-Based planner and handout that students can use to track outcomes, break up their planning step by step, and show evidence of their work. The outcomes in the booklet are specific to Middle Years Arts Ed but could be adapted for other curriculum as well.

Learn how to sight read music for free!

There are lessons, games and other tools to improve your music skills.

What goes into each reading adventure pack?

Parent information sheet with an introductory note that you can personalize, instructions about how to use the packet, and tips for sharing fiction and nonfiction books with children.

Two books: one fiction and one nonfiction, selected by Reading Rockets for high quality and wide availability in school libraries

Creativity Activity: a hands-on craft project

Imagination Activity: encourages imaginative play, writing, or drawing

Get Real Activity: focuses on real-world experiences for parent and child

Bookmark: lists the featured titles and alternative titles

The Reading Rockets reading adventure packs contain the instructions, activities, and bookmarks for you to download and print, for free.

K-3 all subjects!

Percussionist Steven Angel has developed an innovative program that uses rhythm to help struggling students improve their reading fluency and comprehension. Deceptively simple -- a facilitator taps out a basic rhythm while students read aloud -- the method relaxes students, helps them focus, and is effective in after-school intervention programs as well as traditional classrooms.

Learn to distinguish between different rhythms; includes a listening and reading aspect. Requires Adobe Flash Player.

Students work as if they are electrical engineers to program a keyboard to play different audible tones depending on where a sensor is pressed. They construct the keyboard from a soft potentiometer, an Arduino capable board, and a small speaker. The soft potentiometer “keyboard” responds to the pressure of touch on its eight “keys” (C, D, E, F, G, A, B, C) and feeds an input signal to the Arduino-capable board. Each group programs a board to take the input and send an output signal to the speaker to produce a tone that is dependent on the input signal—that is, which “key” is pressed. After the keyboard is working, students play "Twinkle, Twinkle, Little Star" and (if time allows) modify the code so that different keys or a different number of notes can be played.

Students work with partners to create four different instruments to investigate the frequency of the sounds they make. Teams may choose to make a shoebox guitar, water-glass xylophone, straw panpipe or a soda bottle organ (or all four!). Conduct this activity in conjunction with Lesson 3 of the Sound and Light unit.

Learn prepositions (on, under, next to, over and around) by singing a mariachi song with Sofia and Mr. Parrot!

Viewers sing and dance along with Sofia as she learns prepositions demonstrated by Mr. Parrot being on the sombrero, under the sombrero, next to the sombrero, over the sombrero, and around the sombrero.

Learning Objective:
Understand and use the following parts of speech in the context of reading, writing, and speaking (with adult assistance): prepositions and simple prepositional phrases appropriately when speaking or writing (e.g., in, on, under, over).

Students learn the connections between the science of sound waves and engineering design for sound environments. Through three lessons, students come to better understand sound waves, including how they change with distance, travel through different mediums, and are enhanced or mitigated in designed sound environments. They are introduced to audio engineers who use their expert scientific knowledge to manipulate sound for music and film production. They see how the invention of the telephone pioneered communications engineering, leading to today's long-range communication industry and its worldwide impact. Students analyze materials for sound properties suitable for acoustic design, learning about the varied environments created by acoustical engineers. Hands-on activities include modeling the placement of microphones to create a specific musical image, modeling and analyzing a string telephone, and applyling what they've learned about sound waves and materials to model a controlled sound room.

Students are provided with an understanding of sound and light waves through a "sunken treasure" theme a continuous storyline throughout the lessons. In the first five lessons, students learn about sound, and in the rest of the lessons, they explore light concepts. To begin, students are introduced to the concepts of longitudinal and transverse waves. Then they learn about wavelength and amplitude in transverse waves. In the third lesson, students learn about sound through the introduction of frequency and how it applies to musical sounds. Next, they learn all about echolocation what it is and how engineers use it to "see" things in the dark or deep underwater. The last of the five sound lessons introduces acoustics; students learn how different materials reflect and absorb sound.

Music can loosely be defined as organized sound. The lesson objectives, understanding sound is a form of energy, understanding pitch, understanding sound traveling through a medium, and being able to separate music from sound, can provide a good knowledge base as to how sound, math, and music are related. Sound exists everywhere in the world; typically objects cause waves of pressure in the air which are perceived by people as sound. Among the sounds that exist in everyday life, a few of them produce a definite pitch. For example, blowing air over half full glass bottles, tapping a glass with a spoon, and tapping long steel rods against a hard surface all produce a definite pitch because a certain component of the object vibrates in a periodic fashion. The pitch produced by an object can be changed by the length or the volume of the portion that vibrates. For example, by gradually filling a bottle while blowing across the top, higher pitches can be generated. By organizing a few of these sounds with a clearer pitch, the sounds become closer to music. The very first musical instruments involved using various objects (e.g. bells) that have different pitches, which are played in sequence. The organization of the pitches is what transforms sounds into music. Since the first instruments, the ability to control pitch has greatly improved as illustrated by more modern instruments such as guitars, violins, pianos, and more. Music is comprised of organized sound, which is made of specific frequencies. This lesson will help define and elaborate on the connections between sound and music.

Students will compare Kendrick Lamar's "Alright" with black protest songs of the past in order to identify common themes and ideas tat artists have used to illustrate black experience in the United States.

In this lesson. students will read statements from Black Lives Matter and watch a clip fron CNN's Soundtracks to explore the sifnificance of the movement and the music made in response to the issues they rally behind. Students will also analyze clips from the music videos of artists Kendrick Lamar and Beyonce Knowles-Carter to understand music's relation to the Black Lives Matter movement.

In this lesson, students will consider how Germans resisted what the Berlin Wall symbolized during the Cold War by examining the musical cultures that developed in East and West Germany. To do this, students will watch clips from CNN Soundtracks and analyze primary and secondary historical sources such as newspaper articles, cartoons, interviews, and photographs.

In this lesson, students examine how Crosby, Stills, Nash, and Young's "Ohio," Merle Haggard's "Okie From Muskogee" and Edwin Starr's "War" articulated the divisive feelings Americans had about the war in the late 1960s and early 1970s. To supplement these songs, students will also watch clips from CNN Soundtracks and analyze polling data, news articles, and photographs from the era.

In this lesson, students will identify the origins of Third Wave Feminism and explore the diversity of the movement's demands, attitudes, and tactics by immersing themselves in three musical cultures from the 1990s: the Riot Grrrl punk rock scene exemplified by the band Bikini Kill, the female-fronted hip hop scene exemplified by Salt-N-Pepa, and the Tejano music sphere exemplified by Selena.

In this lesson, Barack Obama's second inaugural address serves as a launching point for classroom discussions on how the Stonewall Riots might be comparable to other seminal moments in the ongoing fight for equality in the United States. To supplement these discussions, students will analyze Rod Stewart's "The Killing of Georgie" as a poetic account of LGBTQ+ discrimination in the United States, and compare primary source documents from the Women's Rights, Civil Rights, and LGBTQ+ Rights movements.

Music and sound are two different concepts that share much in common. Determining the difference between the two can sometimes be difficult due to the subjective nature of deciding what is or is not music. The goal of this activity is to take something constructed by students, that would be normally classified as just sound and have the class work together to make what can be perceived to be music. Students construct basic stringed instruments made of shoeboxes and rubber bands. This activity aims to increase student understanding of what distinguishes music from sound.