At the turn of the 18th century, audience were ready to go …
At the turn of the 18th century, audience were ready to go over the top, and get some really, really dramatic theater in their lives. Like, a dog dueling a man type of dramatic. In London, only two theaters were licensed, but entertainment entrepreneurs figured out that musical entertainments weren't subject to the same restrictions. So, incidental music was invented, and the melodrama was born. And then switched with another infant. And later tied to train tracks, but rescued at the last minute. And so forth.
Mr. Holder discusses his work as a lighting designer in theatre, opera, …
Mr. Holder discusses his work as a lighting designer in theatre, opera, and dance.
Donald Holder is an American lighting designer in theatre, opera, and dance based in New York. He has been nominated for eleven Tony Awards, winning the 1998 Tony Award for Best Lighting Design as well as the Drama Desk Award for Outstanding Lighting Design for The Lion King.
In which Mike delves into the theater of ancient Rome. It wasn't …
In which Mike delves into the theater of ancient Rome. It wasn't all gladiators and Christian-killing, you know. There was theater, too. Roman drama drew heavily on Greek drama. So heavily, in fact, that many of the stories and characters were lifted directly from Greek plays. This time around, you'll learn about Plautus, Terence, and Seneca, and just what they owe to Menander.
Shakespeare's tragedies...were tragic. But they had some jokes. They also changed the …
Shakespeare's tragedies...were tragic. But they had some jokes. They also changed the way tragedies were written. Characters like Hamlet, Macbeth, and King Lear had tragic outcomes, but they were sympathetic characters in a lot of ways. This was a big change from the way Seneca and the Greeks wrote tragedies, and it caught on.
This week on Crash Course Theater, Mike and Yorick take us to …
This week on Crash Course Theater, Mike and Yorick take us to beautiful Spain, and look at its Golden Age. Spain was having kind of a moment in the 16th and 17th centuries. They had this big empire, the culture was really flowering, and Humanism was popping up all over, but they also had the inquisition. Into this world came prolific writers like Felix Lope de Vega and Pedro Calderon de la Barca. And they wrote a ton of plays.
This is the story of how a young Englishman named William Shakespeare …
This is the story of how a young Englishman named William Shakespeare stormed London's theater scene in the late 16th century, and wrote a bunch of plays and poems that have had pretty good staying power. We'll learn about Shakespeare's beginnings, his family, and how he broke into theater
It's a Scandinavian grudge match on Crash Course Theater. We're looking at …
It's a Scandinavian grudge match on Crash Course Theater. We're looking at a couple of the key movements in European theater that deeply influenced the modern theater of today. We'll take a close look at two of the most radical and influential European playwrights of the 19th century, who just happened to be mortal enemies. Henrik Ibsen of Norway, and Swede August Strindberg reshaped theater, between bouts of hating each other.
The Irish Renaissance in the early 20th century included a wealth of …
The Irish Renaissance in the early 20th century included a wealth of new plays written both in Ireland, and by Irish ex-patriots elsewhere. W.B. Yeats, Lady Augusta Gregory, and J.M. Synge were creating a new national theater of Ireland at the Abbey Theatre. They often drew their stories from the fabric of Irish life. Oscar Wilde and George Bernard Shaw were meanwhile writing important (and often hilarious) works on the world stage.
This week on Crash Course Theater, Mike is acting like theater started …
This week on Crash Course Theater, Mike is acting like theater started in Greece. Well, for the western theater, this is true. The earliest recorded drama in the west arose in Athen, and these early plays grew out or religious ritual. Namely, they evolved from the worship of Dionysus, god of wine, fertility, and RITUAL MADNESS. That's right. I said RITUAL MADNESS
Aristotle. He knows a lot, right? And if you choose to believe …
Aristotle. He knows a lot, right? And if you choose to believe Aristotle, then you must believe all the mechanics of tragedy that Mike is about to lay on you. This week, we're looking at Aristotle's rules for the basic elements of theater, and how those can be used to bring about catharsis, the emotional release triggered by onstage trauma. You know you love the catharsis.
A behind the scenes look at the groundbreaking virtual production technology used …
A behind the scenes look at the groundbreaking virtual production technology used on The Mandalorian, Season One. Over 50 percent of The Mandalorian Season 1
Over 50 percent of The Mandalorian Season 1 was filmed using this ground-breaking new methodology, eliminating the need for location shoots entirely. Instead, actors in The Mandalorian performed in an immersive and massive 20’ high by 270-degree semicircular LED video wall and ceiling with a 75’-diameter performance space, where the practical set pieces were combined with digital extensions on the screens. Digital 3D environments created by ILM played back interactively on the LED walls, edited in real-time during the shoot, which allowed for pixel-accurate tracking and perspective-correct 3D imagery rendered at high resolution via systems powered by NVIDIA GPUs. The environments were lit and rendered from the perspective of the camera to provide parallax in real-time, as if the camera were really capturing the physical environment with accurate interactive light on the actors and practical sets, giving showrunner Jon Favreau, executive producer and director Dave Filoni, visual effects supervisor Richard Bluff, and cinematographers Greig Fraser and Barry Baz Idoine, and the episodic directors the ability to make concrete creative choices for visual effects-driven work during photography and achieve real-time in-camera composites on set.
The technology and workflow required to make in-camera compositing and effects practical for on-set use combined the ingenuity of partners such as Golem Creations, Fuse, Lux Machina, Profile Studios, and ARRI together with ILM’s StageCraft virtual production filmmaking platform and ultimately the real-time interactivity of the Unreal Engine platform.
Welcome to Crash Course Theater with Mike Rugnetta! In this, our inaugural …
Welcome to Crash Course Theater with Mike Rugnetta! In this, our inaugural week, we're going to ask the two classic questions about theater. 1.What is theater? And 2. Is it spelled -re or -er? Well, there's a clue to question two in the title of the video. The first question is a little trickier. We'll look at some of the historical definitions of theater, and investigate some of the ways people have thought about theater in different times and places in the world.
The English Theater survived a lot of pushback from various powers that …
The English Theater survived a lot of pushback from various powers that be, but in the 17th century, it had to go into hiding, from PURITANS. Let's take a look at how the English Civil War, Charles I's beheading, and the Restoration of the monarchy all had effects on the English Theater. Also, not to bury the lede, but WOMEN finally make it to the English stage in this episode. Plus, Restoration comedies are pretty smutty, so you should hang on 'til the end of this one.
Theater had a slow start in Germany, mainly because Germany wasn't really …
Theater had a slow start in Germany, mainly because Germany wasn't really a thing until *relatively* recent times. After Germany finally became a unified state, it had a couple of really important theatrical movements. Today we'll talk about Sturm and Drang, as well as Weimar Classicism. We'll also get into the work of the greatest German playwright, Goethe, and look at his play Faust in the Thought Bubble.
This week, we're back in Europe to learn about Realism and Naturalism. …
This week, we're back in Europe to learn about Realism and Naturalism. In the 19th Century, playwrights like Eugene Scribe, Alexandre de Dumas Fils, and Emile Zola remade the French theater, first with Realism, and later with Naturalism. What are those things? Watch and learn.
boclips - the world’s video uniquely curated for education We’re unlocking the …
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